Prosecution Insights
Last updated: July 17, 2026
Application No. 17/918,564

INFORMATION PROCESSING DEVICE, INFORMATION PROCESSING METHOD, AND PROGRAM

Non-Final OA §103
Filed
Oct 13, 2022
Priority
May 01, 2020 — JP 2020-081493 +1 more
Examiner
SCHREIBER, CHRISTINA MARIE
Art Unit
2837
Tech Center
2800 — Semiconductors & Electrical Systems
Assignee
Sony Group Corporation
OA Round
3 (Non-Final)
80%
Grant Probability
Favorable
3-4
OA Rounds
0m
Est. Remaining
96%
With Interview

Examiner Intelligence

Grants 80% — above average
80%
Career Allowance Rate
787 granted / 988 resolved
+11.7% vs TC avg
Strong +16% interview lift
Without
With
+15.9%
Interview Lift
resolved cases with interview
Typical timeline
2y 2m
Avg Prosecution
30 currently pending
Career history
1002
Total Applications
across all art units

Statute-Specific Performance

§101
1.3%
-38.7% vs TC avg
§103
52.3%
+12.3% vs TC avg
§102
23.1%
-16.9% vs TC avg
§112
18.0%
-22.0% vs TC avg
Black line = Tech Center average estimate • Based on career data from 988 resolved cases

Office Action

§103
DETAILED ACTION Notice of Pre-AIA or AIA Status The present application, filed on or after March 16, 2013, is being examined under the first inventor to file provisions of the AIA . Claim Rejections - 35 USC § 103 The following is a quotation of 35 U.S.C. 103 which forms the basis for all obviousness rejections set forth in this Office action: A patent for a claimed invention may not be obtained, notwithstanding that the claimed invention is not identically disclosed as set forth in section 102, if the differences between the claimed invention and the prior art are such that the claimed invention as a whole would have been obvious before the effective filing date of the claimed invention to a person having ordinary skill in the art to which the claimed invention pertains. Patentability shall not be negated by the manner in which the invention was made. Claims 1-10 are rejected under 35 U.S.C. 103 as being unpatentable over Huo et al. (US 2020/0066240) in view of that which is well-known in the art. In terms of claim 1, Huo et al. teaches an information processing method (see Figure 1) comprising: generating a output tracks (130, 140, 150, 160) (see Figure 7, generating multiple output accompaniment tracks; paragraph [0061], more than one melody track generated) by using an input track including a plurality of first information elements (110, 120) provided over a certain period or a certain section, and a learned model (200) (see Figure 2), wherein each output track includes a first track that is a same track as the input track or a changed track (130, 140), and a second track including a plurality of second information elements (150, 160) provided over the certain period or the certain section, and the learned model (200) is a learned model generated by using training data so as to output output data corresponding to the output track when input data corresponding to the first track is input. Huo et al. fails to explicitly teach the use of an encoder or decoder. Huo et al. does however teach the learned model extracting key input features according to the characteristics of input sounds (see paragraph [0018]), and then generating the output data accordingly (see Figures 2 and 3). It is known in the art that many components and applications of a deep learning system involve encoding, or transforming raw musical data into a structured, machine-learnable format, similar to that taught by Huo et al. (see references cited above). In deep learning, an encoder often compresses the input into a latent representation, while often working in tandem with a decoder, which reconstructs the output from the latent space. Deep learning models like RNNs, LSTMs, Transformers, and diffusion models are used to generate or process music. In these systems: The encoder might process a sequence of notes, chords, or audio frames into a latent vector that captures the musical structure. The decoder then generates the next musical element based on that latent representation. Therefore, for the reasons outlined above, it would have been obvious, to one of ordinary skill in the art, at the time of the effective filing date, that the operations of the deep learning system (200) of Huo et al. could be considered as encoder and decoder operations (see Figures 2 and 3, and paragraphs [0004], [0005] and [0018]). Still further, if the Applicant disagrees with the Examiner’s interpretation of Huo’s multiple “output tracks” (i.e. melody, accompaniment, etc.), then the method of generating a track, or full piece of music/song, can be replicated or duplicated to generate multiple output tracks or songs. It would have been obvious to one having ordinary skill in the art at the time of the effective filing date to duplicate the method steps of Huo, since it has been held that mere duplication of the essential working parts or steps, of a device or method, involves only routine skill in the art. In re Harza, 274 F.2d 669, 124 USPQ 378 (CCPA 1960). As for claim 2, Huo et al. teaches a changed first track (see paragraph [0061]: “the deep learning system (200) is configured to get one track which is most likely to be the main melody of the music to generate. However, it is also possible for the deep learning system (200) to extract more than one main melody from a MIDI file.”, paragraph [0075]: “The deep learning system (200) is adapted to assume a chord change can only happen at a downbeat. The deep learning system (200) is adapted to detect whether there is a chord change for each downbeat and identify which chord is changed when detecting a chord change so as to generate the adjusted chord progression.”; these reference show generating a track in which a part of the input track has been changed, by changing a part of the plurality of first information elements included in the input track). Therefore, obviousness stands for the reasons cited above. As for claims 3-6, Huo et al. teaches the tracks based on data corresponding to the identification of time signatures (see equation 2, paragraphs [0018] and [0028], and claim 2) and beat patterns (see claim 3). Therefore, obviousness stands for the reasons cited above. As for claims 7 and 8, Huo et al. teaches that sound information includes at least one pitch (see claims 1 and 2), and the learning system further includes steps of extracting a music instrument digital interface (MIDI) from the music input (see claim 3). Therefore, obviousness stands for the reasons cited above. In terms of claims 9 and 10, the same reasoning applied in the rejection of method claim 1, mutatis mutandis, applies to the subject-matter of device claim 9 and program claim 10, given the apparatus is considered inseparable from the method of using the apparatus, and the method is inseparable from the instructions for implementing the method. Response to Arguments Applicant’s amendments and arguments, filed 06/30/2026, have been fully considered and are persuasive. Therefore, the previous 35 USC 102 rejection has been withdrawn. However, upon further consideration, a new ground(s) of rejection is made in view of Huo et al. and that which is well-known in the art. As outlined above, the operations of the deep learning system (200) of Huo et al. can be considered encoding and decoding operations. Conclusion Any inquiry concerning this communication or earlier communications from the examiner should be directed to Christina Schreiber whose telephone number is (571)272-4350. The examiner can normally be reached M-F 7-4 PM. Examiner interviews are available via telephone, in-person, and video conferencing using a USPTO supplied web-based collaboration tool. To schedule an interview, applicant is encouraged to use the USPTO Automated Interview Request (AIR) at http://www.uspto.gov/interviewpractice. If attempts to reach the examiner by telephone are unsuccessful, the examiner’s supervisor, Dedei Hammond can be reached at 571-270-7938. The fax phone number for the organization where this application or proceeding is assigned is 571-273-8300. Information regarding the status of published or unpublished applications may be obtained from Patent Center. Unpublished application information in Patent Center is available to registered users. To file and manage patent submissions in Patent Center, visit: https://patentcenter.uspto.gov. Visit https://www.uspto.gov/patents/apply/patent-center for more information about Patent Center and https://www.uspto.gov/patents/docx for information about filing in DOCX format. For additional questions, contact the Electronic Business Center (EBC) at 866-217-9197 (toll-free). If you would like assistance from a USPTO Customer Service Representative, call 800-786-9199 (IN USA OR CANADA) or 571-272-1000. /CHRISTINA M SCHREIBER/Primary Examiner, Art Unit 2837 07/07/2026
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Prosecution Timeline

Oct 13, 2022
Application Filed
Jan 06, 2026
Non-Final Rejection mailed — §103
Mar 03, 2026
Response Filed
Jun 02, 2026
Final Rejection mailed — §103
Jun 30, 2026
Request for Continued Examination
Jul 01, 2026
Response after Non-Final Action
Jul 09, 2026
Non-Final Rejection mailed — §103 (current)

Precedent Cases

Applications granted by this same examiner with similar technology

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5y 5m to grant Granted Jun 16, 2026
Study what changed to get past this examiner. Based on 5 most recent grants.

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Prosecution Projections

3-4
Expected OA Rounds
80%
Grant Probability
96%
With Interview (+15.9%)
2y 2m (~0m remaining)
Median Time to Grant
High
PTA Risk
Based on 988 resolved cases by this examiner. Grant probability derived from career allowance rate.

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